I have designed sound a number of theatre shows, with credits including:

* Nominated for 2017 EMACT DASH Award for Best Sound Design in a Play


See below for some examples of sounds I’ve created for various purposes:

“Clang” – This sound was created to be the ‘clang’ in the play The Big Meal.


“Torture Room” – created for backing sounds during the “The Writer and the Writer’s Brother” story in The Pillowman. WARNING: This sound is intentionally creepy and disconcerting.


“Dive” – An original composition, employing natural sounds and other methods of generating sound to create audio that is visually evocative.


“Collisions” – Another original composition, comprising of both spectrally edited sounds and algorithmically generated MIDI based on collisions between objects in a 2D grid.